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Creeds and schools in abeyance, Retiring back a while sufficed at what they are, but never forgotten, I harbor for good or bad, I permit to speak at every hazard, Nature without check with original energy.2 Houses and rooms are full of perfumes, the shelves are crowded with perfumes, I breathe the fragrance myself and know it and like it, The distillation would intoxicate me also, but I shall not let it. Have you felt so proud to get at the meaning of poems?Backing up Joni are David Crosby, Graham Nash and James Taylor."You know I'd go back there tomorrow / But for the work I've taken on / Stoking the star-maker machinery / Behind the popular song"Mitchell wrote this one after a trip to the City of Light with The Band's Robbie Robertson and music mogul David Geffen.He was reportedly unhappy with the song, finding it too revealing."So you sign all the papers in the family name / You're sad and you're sorry but you're not ashamed / Little green have a happy ending""Little Green" refers obliquely to the child she gave up for adoption when she was Joan Anderson, a struggling 21-year-old folk singer living in Toronto.There was never any more inception than there is now, Nor any more youth or age than there is now, And will never be any more perfection than there is now, Nor any more heaven or hell than there is now.
Now listen to Mitchell sing this ode to Sam Shepard (or so they say) with the Band backing her up in "The Last Waltz.""Under neon sign / A girl was in bloom / And a woman was fading / In a suburban room / I said, 'Take me to the dance'"The first track on her 1975 album "The Hissing of Summer Lawns" ventures into jazz-rock.
"Don't it always seem to go / That you don't know what you've got 'til it's gone / They paved paradise / And put up a parking lot"Written the first time she visited Hawaii, "Big Yellow Taxi" combines an environmental theme with a simple underlying message: Never take things for granted."I'm in trouble / 'Cause you're a rambler and a gambler / And a sweet-ta Iking ladies man / And you love your lovin' / But not like you love your freedom"Her biggest hit single—said to be about then-boyfriend Glenn Frey of the Eagles."I'm looking for affection and respect / A little passion / And you want stimulation—nothing more / That's what I think / But you know I'll try to be there for you / When your spirits start to sink"A classic breakup song—with a title that sums up the singer."Woke up, it was a Chelsea morning / And the first thing that I heard / Was a song outside my window / And the traffic wrote the words"Judy Collins released this early Joni Mitchell song as a single in 1968.
Although Mitchell later dismissed "Chelsea Morning" as "the work of an ingenue," it captures what she remembers as "a very young and lovely time.""Come on, Carey, get out your cane / And I'll put on some silver / Oh, you're a mean old daddy, but I like you"The real "Carey" is Cary Raditz, a chef with panache who drew her into a cave-dwelling hippie community on the Greek island of Crete in 1970.
In 1997, a quarter-century after the song was released, she and daughter Kilauren Gibb reunited.
Let's hear it for happy endings."When Charlie speaks of Lester / You know someone great has gone / The sweetest swinging music man / Had a Porkie Pig hat on"What a bold move to add lyrics to this Charlie Mingus classic, collaborating with the jazz legend just months before he died."Oh, you're in my blood like holy wine / You taste so bitter and so sweet / Oh, I could drink a case of you, darling / And I would still be on my feet"Some say this exquisite love song is about James Taylor, who accompanies Mitchell on acoustic guitar, but the smart money is on Joni's ex and fellow Canadian Leonard Cohen.
Sure as the most certain sure, plumb in the uprights, well entretied, braced in the beams, Stout as a horse, affectionate, haughty, electrical, I and this mystery here we stand.